An ultimate workhorse, the lens features a minimum focusing distance of just 4.8", enabling it to be used for macro-style close-up photography, and the lens is also outfitted with a rounded seven-blade diaphragm for a pleasing bokeh quality. Manual focusing works, of course, 'by wire' thus you drive the AF motor when turning the focus ring. Autofocus is exceptionally fast and quiet thanks to the lens's stepping motor, which can be particularly useful when shooting video or fast-moving subjects such as children and animals. The Sigma 18-50mm f/2.8 DN DC Contemporary uses a stepping motor for autofocusing. Together they minimize the total number of elements for superb optical quality without excessive weight. The lens design includes three high-precision glass-molded aspherical elements coupled with a special low dispersion element. Offered here with a Sony E-mount, this lens provides a versatile full-frame equivalent zoom range of 27-75mm and a wide constant aperture of f/2.8 throughout the entire zoom range. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.Ideal for a wide range of photo and video applications including landscapes, portraits, street photography, architecture, and events, the 18-50mm f/2.8 DC DN Contemporary Lens from Sigma is a small, light, and bright standard zoom for crop-sensor mirrorless cameras. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says The zoom range is ideal for covering events, going. That, in sum, is the sort of thing the Acoustasonic format encourages. Sigma's 18-50mm f/2.8 EX DC is a wide, constant aperture autofocus zoom lens for use only with digital SLR cameras using APS-C sized sensors. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
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